| Aspect | EOSHD C-Log | Canon C-Log (official) | |--------|-------------|------------------------| | | Most Canon DSLR/mirrorless | Only C70, R5C, R3, R5 (firmware), 1DX III | | Cost | Paid (~$25β50) | Free with supported cameras | | Dynamic Range | ~11β12 stops | ~12β13 stops | | Color Science | Custom, slightly cool | Canonβs standard Log | | 8-bit Safety | Better than Canon C-Log for 8-bit | Prone to banding in 8-bit |
You can now select this profile directly from your camera's menu. It can be applied to both video and timelapse modes. Applying LUTs in Post-Production (Win & Mac)
Happy grading! π¬
(EOS HD), founded by Andrew Reid, is a leading resource for custom video picture profiles for Canon cameras. Since Canon does not officially provide Log profiles on many consumer and mid-range DSLRs (e.g., 5D Mark IV, 1DX Mark II, 80D, M50, R, RP, R6, R7, R8, R10), EOSHD created EOSHD C-Log and EOSHD Film profiles. These profiles mimic the gamma curve and color science of professional Log footage, preserving dynamic range and enabling better color grading. To use these profiles effectively, users require compatible LUTs (Look-Up Tables) for monitoring and post-production on Windows and macOS . eoshd clogandfilmprofiles for canon lut win mac top
The pack typically includes several distinct profiles to suit different shooting needs: EOSHD C-LOG
Two distinct black-and-white profiles ranging from soft, poetic film styles to high-contrast dramatic looks. How to Install on Windows and Mac
After shooting with EOSHD C-LOG at (native range): | Aspect | EOSHD C-Log | Canon C-Log
Here is how to solve the most frequent problems users encounter:
Furthermore, the EOSHD profiles are specifically engineered to correct common digital artifacts. Digital sensors often produce "plastic" skin tones or oversaturated reds and yellows that scream "video" rather than "film." Andrew Reid, the developer behind EOSHD, designed these profiles to shift these hues into a more natural, film-like palette. This is particularly beneficial for shooters using older 8-bit Canon systems, where the margin for error in color grading is razor-thin. By getting the color "right" in-camera through a dedicated Film Profile, the filmmaker reduces the need for heavy manipulation in post-production, which often leads to image degradation and banding.
Optimized for healthy, lively skin tones without sacrificing overall image contrast. π¬ (EOS HD), founded by Andrew Reid, is
: Users note that it provides more latitude in preserving highlights and shadow detail compared to standard Canon profiles. However, some experts argue it is "faux LOG" since it's limited by the camera's internal 8-bit processing. Exposure Advice : It is often recommended to underexpose slightly
The deployment and post-production pipeline is fully compatible with both major operating systems. 1. In-Camera Installation (Win/Mac)