Fylm Going Places 1974 Mtrjm Kaml Fydyw Lfth Jun 2026

The narrative follows two whimsical, aimless thugs who drift through the French countryside. They deliberately challenge bourgeois societal values through acts of petty theft, carjacking, and random harassment.

This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later.

: The film is periodically hosted on platforms like Amazon Prime Video and IMDb's Video Marketplace for rental or purchase starting around $3.99. fylm going places 1974 mtrjm kaml fydyw lfth

تتغير ديناميكية الأحداث عندما يلتقيان بفتاة تُدعى (تؤدي دورها الممثلة ميو-ميو)، وهي مصففة شعر شابة تعيش حياة رتيبة. تنضم الفتاة إليهما في رحلتهما العشوائية المليئة بالمغامرات الجنسية والجرائم الطائشة. تبحث الشخصيات الثلاث طوال الفيلم عن اللذة والحرية المطلقة بعيداً عن قيود المجتمع البرجوازي التقليدي. طاقم العمل والنجومية العالمية

Do you need help finding for French media? The narrative follows two whimsical, aimless thugs who

The original French title, Les Valseuses , is a slang pun. It literally translates to "The Waltzers," but phonetically in French slang, it sounds like "Les Valyses" (The Testicles). The English title Going Places sanitized the joke but captured the aimless, traveling nature of the characters.

Few films have divided critics and audiences quite like Bertrand Blier’s Going Places ( Les Valseuses ). Released in 1974, this French road movie follows two rootless, amoral drifters — Jean-Claude (Gérard Depardieu) and Pierrot (Patrick Dewaere) — as they wander the French countryside, stealing cars, seducing (and often assaulting) women, and leaving chaos in their wake. Decades later, it remains a confrontational masterpiece: brutal, hilarious, and deeply unsettling. This link or copies made by others cannot be deleted

The most infamous scene: Marie-Ange, pregnant after a gang rape (by men other than the leads), performs an abortion using a bicycle spoke under Jean-Claude's direction. Blier defended it not as pro-abortion violence but as a stark depiction of women's desperation in a world without reproductive rights.

The narrative is driven by a desperate search for connection, money, and sexual conquest. However, the film subverts the romanticism usually associated with the "road trip" genre. There is no freedom found on the road, only more existential emptiness. The trio encounters various eccentric characters, including a stunning cameo by the legendary Jeanne Moreau, who plays a woman released from prison. Her involvement in the narrative temporarily elevates the boys' crime spree into something almost poetic, blending tragedy with their slapstick amorality.

) is a provocative road movie that served as a breakout for major French stars like Gérard Depardieu Patrick Dewaere . Directed by Bertrand Blier