To get the best results, it is recommended to apply Phantom LUTs at at the end of your grading chain. In Adobe Premiere Pro FAQ — LUTs, Color Profiles & Filmmaking Tools
The packs include 65x LUTs , which are high-resolution LUTs designed for precise color transformations in post-production, avoiding the color banding that can occur with lower-resolution LUTs.
, created by cinematographer Joel Famularo, are highly regarded color grading tools specifically designed to emulate the "Arri Alexa look" on Sony camera systems . They are widely used by filmmakers to fix common Sony color science issues, such as green/yellow skin tone casts, and to provide a "one-click" professional base for color grading . Core Offerings & Technical Specifications sony phantom luts
For the vast majority of Sony cameras (A7SIII, FX3, FX6, A7IV), the LUT is calibrated for and S-Gamut3.Cine . You should set your Picture Profile to PP8 by default.
The LUTs, named "Phantom" after the iconic Sony VENICE camera, were unlike anything the team had ever seen before. They had a unique, almost magical quality that made even the most mundane scenes look cinematic. The team was intrigued and decided to investigate further. To get the best results, it is recommended
If you own a Sony α7S III, FX3, FX6, FX9, or even the α7IV, you have likely heard the term whispered in cinematography forums or seen it flash across YouTube thumbnails. But what exactly are Phantom LUTs, why do they demand a premium price, and how can they transform your S-Log3 footage instantly?
Enter —a premium set of emulation LUTs created by filmmaker Joel Famularo. These LUTs have become the gold standard for filmmakers looking to instantly transform clinical Sony sensors into rich, organic, filmic masterpieces. They are widely used by filmmakers to fix
Unlike standard "technical LUTs" (which simply convert S-Log3 to Rec.709 for safe viewing), are creative LUTs. They add a specific flavor:
A LUT is a starting point, not a finishing line. If the look is too intense, drop the key output or opacity of the LUT to around for a more subtle blend. Final Verdict: Are They Worth It?
LUTs are not an exposure-fix tool. When shooting S-Log3 on Sony cameras, it is highly recommended to (using your camera's Multi-Metering tool) or expose your skin tones around 50-55 IRE on a waveform. This reduces noise in the shadows. Step 2: Set Up Your Grading Nodes (or Layers)
A technical LUT converts one color space to another (e.g., ARRI Log C to Rec.709). A "Phantom LUT" is usually a creative grade designed by a colorist who studied the look of Phantom Flex footage and baked those curves into a LUT file.